Mixing “Snow at 2 am”

My random note composition on Saturday became “Snow at 2 am”. I worked at the piano for an hour, then took the composition to the computer and worked in FL Studio and Audacity for several more hours — 5 hrs in total.

I wanted the piece to sound like one of those schmaltzy Hollywood arrangements with a piano and a string section. In FL Studio I had a piano part and a string part in separate stems, and varied the relative volume. Bring up the strings here, back them off there.

However, when I brought it over to Audacity, I wasn’t happy with the way the instruments came forward / receded backwards, and I re-sculpted the volume

I was happy with that, put it away, then listened to it later and didn’t like it at all! I guess the lesson is to keep the stems separate, and do the dynamics later, at the end? That way if I want to undo / redo, I can make the changes in one location. The way I have it now, I would have to make changes in both FL Studio AND Audacity.

What about like this? Say for solo piano with a string section.
Record the piano in FL Studio, “flat”
Record the piano in FL Studio with the kind of expressive dynamics I imagine
Record the strings in FL Studio “flat”
Record the strings with expression and dynamics
Give Neal the “flat” threads in Ableton
Give Neal my attempt at a mix, and a verbal description

Some New Musicians

I’ve been getting to know some new musicians over on Bluesky. Here are some!

Isaac Io Schankler

And also here

https://aerocade.bandcamp.com/track/the-moonlight-sonata-but-the-bass-is-a-bar-late-and-the-melody-is-a-bar-early

 

Telebasher

 

 

Mannfishh

 

 

Garett Schumann

This work was presented for the first time on the evening of Sunday, November 3 at an event held in and around Burton Memorial Tower. The unique program welcomes attendees into the belfry of the Charles Baird Carillon where everyone enjoyed a communal ‘headphone listening experience’ featuring new ambient electronic music created by Sara and myself alongside accompanying carillon improvisation performed by Julie. The result was a performance that bound individual and group resonances together, that transformed internal and external listening into a memorable, collective experience. This video presents my contribution, “O Beata Maria”, as a standalone stereo electronics composition, accompanied by photos from the November 3 event taken by photographer Eleanor Daftuar. The colorful graphic on the title image was created by designer Brendan C. Page. “O Beata Maria” is a multi-layered synthesizer arrangement of the first half of the motet ‘O Beata Maria’ (1551) composed by sixteenth century African-Portuguese composer Vicente Lusitano. The original work has six parts, and I used a suite of VST software instruments, reverb, delay, and granular synthesis effects to render Lusitano’s original music as a sparkling, aural tapestry of 48 individual layers. Overall, my arrangement begins by exploring delicate differences in timbre and speed (24 of the layers are rendered at 54 BPM, the other 24 at 55 BPM), then reverb effects dominate the mix, and, finally, granular synthesis.

 

 

This is a new work for edited stock footage and music that I released on 11/19/23. I composed and produced the score using Reaper and the free VST instruments Sitala (bass drum), Podolski (arpeggiating synth), Helm (bass synth), Surge XT (spacey lead, secondary bass synth), Emergence (granular synthesis effect on the spacey lead), Oril River (reverb on one track of the arpeggiating synth).

 

Evan Pincus

 

William Lang

“they’ve adapted themselves to their chosen resonant chamber over time”

Music Folders

One of my ongoing problems is how to organize my music folders. I like storing things by date, but that means when software like FL Studio, Reaper or MuseScore go looking for files, they are not in the expected place. They tend to store things in “documents”.

This is something I need to do some reading on, but in the meantime here are my music folders that I’ve generated in the last 2 weeks. Many of the jpgs here are screencaps taken while wrestling with software. I annotate the screencaps with things like “CLICK HERE” lol. It’s one of the ways I express my frustration with learning new software; each jpg represents another bit of blood, sweat or salty salty tears.

12/31/24

1/2/25

1/8/25

Rough Draft for Turn-in on Saturday, 1/11/25

 

Update on the Random Note project

From Friday 12/27 to Thursday 1/9 — numbers 282 through 292

Discuss the music manuscript

This is Random Note Project 285.

Finish the Planet Project in a Year: One Minute Sections X 50

none yet as of Thursday

Software & Hardware to develop the timbres and textures

learning Kaivo, a softsynth plug-in that does physical modeling and granular synthesis
It is “modest” software (not as in-depth as something like UVI Falcon or Phase Plant)
Costs ~ $100
I was really attracted to the manual! Lots of pictures
Up til 6 am trying to get it to talk to FL Studio
workaround — installed a “plug-in wrapper” called NanoHost. Free!

learning Midinous
this is “indie” software; support the creator on Patreon or buy on Steam!
It is for node-based composition. Loops, random note generation
It creates midi that can be fed into soft synths or hardware synths
I want to use it to create interesting semi-random arpeggiated textures

Software to enable file-sharing

I started working on MuseScore. I watched some explanatory vids and tried it out
I can’t download MuseScore 4 until I upgrade my computer (Windows 8 vs 10)

Inspiration (parasocially) ex. videos, Skillshare classes

Jay Allen Skillshare — Precomposition, Destroy Writer’s Block for Good, MuseScore 4
Benn Jordan — This is where I heard about Midinous

Inspiration via interactions with human beings

Talked to my therapist Patricia, who is a musician
setting up lessons with tutor
talking a friend into getting a DAW so he can use Midinous
joined a Discord server

 

Rough draft — Format for hand-in document

Format for lesson hand-in–

A written page
A page of music manuscript (Finale or MuseScore)
two .mp3 files

The written page will cover

1. Update on the Random Note project

2. Discuss the music manuscript — questions about music theory. What is the name of that chord? How could I make the voice leading better? Questions about the manuscript. Is there a clearer way to write this? How do you do X in MuseScore?

3. Finish the Planet Project in a Year

One Minute Sections X 50
transcribe (handwritten)
think about the big picture
Software & Hardware to develop the timbres and textures
Software to enable file-sharing
convert work in FL Studio into stems in Ableton Live
convert personal notation to MuseScore
Inspiration (parasocially) ex. videos, Skillshare classes
Inspiration via interactions with human beings

Rough draft for essay; introduction

Several years ago I had music lessons (via Zoom) with a friend whom I had met at the community college. We started out working on music theory, and I sent him long pdf documents describing what I had worked on. During the summer of 2021 I said “OK, I’m going to finish the rough draft of my Planet project before you go back to college; I’ll post progress videos!” That worked really well. I can think of several times I was trying to meet a deadline and had to abandon something that wasn’t working, and try a different approach. The time constraints forced me to be creative in different ways. My tutor was very helpful. He had a welcoming, curious attitude towards my work. I appreciated his feedback, although sometimes I ‘appreciated’ it by taking the exact opposite of his advice. His feedback helped me to clarify what I was hoping to accomplish with each section of the music.

Here’s that summer’s work.

After 2021 there was a period of time where it was hard to work on music. We were packing up the house to get ready to move, and I spent hours searching for a new home. Moving took place Summer 2022. Dad died that fall, Mom died 6 months later. Summer 2023 was spent planting the young trees we had brought over from the old house. Christmas 2023 we had a flood in the basement which catalyzed the decision to have a barn built. The barn was conceived that spring and born in late August.

During the Spring of 2024, I felt like I had enough brain cells left over to start a new music project. The goal was, every morning I would toss 15 dice, and then create something using those notes. Three of the dice are blank, and 12 have the chromatic solfege syllables written on them.

Music notation is still very awkward for me, so I write music down in a kind of hybrid notation on giant sheets of graph paper. Here’s the accumulated work so far!

And here’s the work for the past 2 weeks

It’s compositions 282 through 292. In 2 weeks that’s 11 compositions and 20 pages!

Another idea I had was to go back to Skillshare and see how many classes were available that were taught by my favorite instructor, Jay Allen. I’ve watched many of them already, but I was feeling completionist and wanted to march my way through all those classes, taking notes.

Here’s page 1 of the classes he has available — there’s a total of 9 pages!

The first class I started listening to was one of Jay’s new ones, called “Precomposition: The Secret to Creating Great Music”. It was great to be ‘hanging out’ with Jay again — he’s so chill — the Bob Ross of music theory. Apparently it was a good video to start with, because it started a whole wave of creativity. Because of Jay’s class, I realized that I really wanted to finish my Planet Project. Meanwhile in December, many creative people I follow on Bluesky were posting their “projects of the year”. It was so inspiring to see the results of their persistence. I posted on Bluesky that I wanted to do something similar in 2025. To represent the project in visual form, I created a giant chart

Here’s a schematic of it

 

The chart is a place where I can work on many of the things Jay Allen talks about in his Precomposition course, and also helps me keep on track with deadlines.

I talked to my tutor about setting up lessons again. I’m concerned about inundating him with writing the way I did in our lessons several years ago. He teaches at a public school now and his time is limited. I told him that I would hand in 2 written pages and 2 mp3s per lesson, and it would be great if the deadline was on Saturdays at noon — though we can have the online lesson whenever best fits his schedule.

I started work 2 weeks ago and realized that if my turn-in time is Saturday at noon, I sure don’t want to be up at 2 am Friday night pulling things together. So here I am on a Thursday afternoon figuring out what to say for the turn-in date.